“This is neo-soul in its most prototypical sense; not a reinvention, but a recapitulation of the same fervent spirit Marvin Gaye tapped into fifty years ago. If Lianne La Havas were any less of a perfect blend between the old and new of its genre, such comparisons might read as sacrilegious; as it stands, the London-born virtuoso proves here that she will not be denied her rightful accolades, blasphemy be damned.”